What? A Paper Notebook

For years I had a notebook on my desk. Now, I spend less time at a desk. My thinking is to have a portable less distracting place for note-taking and journaling. I like smartphones and my tablet. They are great. Notebooks are very different, for this easily distracted, creative mind. Writing by hand with a mechanical pencil in a notebook puts my brain into a different gear.

PS. Well that didn't work. It’s just that I am so much more efficient using modern journal techniques. Speech to text is powerful for on-the-fly note taking. The photo is pretty. The idea was well intentioned. But I am going to stick with the tech while being more cautious about getting sucked into mindless scrolling.

Get Into Character

Let me preface this with saying I am a largely self taught actor. I became passionate about performing as a teen at school. My performances are based on decades in recorded media and voice acting. I received some one-on-one, for camera acting coaching in the eighties and the twenty twenties. There has been lots and lots of critical viewing and listening, a skill developed in my audio/video recording, sound design career. That said this blog is NOT meant as advice. It's just me riffing about what I do to get into character; because writing about my process is an interesting exercise and it cements thoughts about my craft. If I think about a topic intently enough to write about it, I find the process helpful. Do you know what I mean? Let me know in the ‘comments.’

Self Image Pixel 7 pro

Become the Character

At a fundamental level, using performing skills and techniques I have picked up in my life’s work in recorded media; I feel - then I say the dialogue.

Let me explain. When reading a scene I register ‘what does my character feel and want when saying these words.’ When I watch movies, I often empathise with characters. If they're experiencing sadness, I feel it, it is visceral. So as an actor, I take on aspects of what my character is feeling. I take an analytical look at the character. Who are they, what do they want and what makes them feel the way they do in the scene. Why do they want this thing or action. Some of these can be part of the breakdown. I will watch for things on which the writer may want to have emphasis in the character. For an example of this: yesterday, when recording a self tape, I remembered that in my character’s head, I thought about what I was about to say in-character; in-my-head. I was acting subconsciously. It was weird. My character was struggling with making a decision about whether to expose something in a scene's dialogue. I stopped, and I actually think:  “Oo, do I want to do this?” as if wondering to myself. Then my character chose to expose the thing and the dialogue continued. I was feeling the character that I was playing. That's it. The rest of what I see in my self tapes is a result.  To block my scene for the camera. I establish an eye line for my character. Where are the other character's lines of dialogue coming from? …it can get creative. Even with a locked-off tripod there's room to move about a bit in the frame, even in a tiny home audition studio like mine. This allows my actions to further reveal for the camera what the character feels.

I self tape auditions on a Sony α6600 Mirrorless camera using a Sigma Contemporary, 30mm lens. On that is a Tiffen ND .09 filter. Which allows me to record 4k at 30fps, with the aperture at 2.8 this alows for a fairly narrow focus range which makes me seem the focus of the scene as it should. I have a monitor pointed at my scene just above the lens. It makes it easy to block the shot as a solo actor and camera operator. An Aputure brand 120d II is my key light. It has a 36” soft box and with several various over the shoulder light options I can use gels to provide subtle image enhancements if relevant to the scene. For example, the subtle use of blue light to denote nighttime, or an amber glow to denote warmth. Overhead I use a nice Sennheiser hyper-cardiod microphone mounted to a boom, off of a C-Stand and a Zoom H5 audio recorder. I edit on a PC, running Magix Vegas Pro, version 22 (I've been running this app since version 5). …I enjoy the process. 

Side note: I got cold feet and delayed this episode - imposter syndrome is real. I remain humble and I am always learning. If you liked today's post, I really would appreciate you clicking that ‘like’ button below. It will encourage me to write about next month's topic. There's also a way to subscribe to my Changes Blogs, or to share it. You can cut and paste the feed into your aggregator. I'd appreciate anything you feel is appropriate. 

Axing X

I have continued a presence on X, not for any reason other than that I had built an interesting list of filmmaking, sound design, casting and other creative connections to follow since 2009. But January 20th's dumb, if not intentional fascistic gesture at a presidential inaugural event by it's owner exceeded my tolerance. As I posted and pinned to my profile on the platform just now, it has/will upset so many people that I don't want any of that stink getting on me. Blue skies...

@geoffedwards.bsky.social


Where Can I See Geoff? - Spring 2024 Update

June 2024

If you came to geoffedwards.media to see what shows I might have been in; here's an updated list of recent appearances:

Last summer I got to hang out with the talented and generous Director, Soran Mardookhi. The project was (at the time titled) Bloodlines. It was based on a story of fraud committed by a sperm donor business. I play an employee that figures out what was going on… It was a principle role with enough time with the wonderful cast and crew to really enjoy the experience. I got to work on set with Holly Deveaux, Lyndsey Wong and Jason Cermak. I have yet to see it! It’s called Cradle Of Deception, Conceived In Lies. Summer 2023 had me in two movies of the week. Have You Seen My Son was an opportunity to work with Director, Jim Cliffe and to be a bad guy in his made for TV Thriller and I loved every minute of it. It Stars Sarah Smyth. My character is named Gary Barrat. I appear in scenes with Jonathan Hawley Purvis, Lori Kokotailo with the lovely ShellyLyn Williams playing my spouse.

So far in 2024 I have appeared in three made for TV movies. More about them when they are to be released. Follow me on Twitter/x for more frequent changes and shares.

"Where Can I See Geoff Edwards Acting?"

If you came here to see what shows I might have been in, here's a list of recent appearances, since signing with Jenny Clough: In Listen Out For Love with Stephanie Bennet, Mark Ghanimé and Lynn Whyte I played Barry. It's on the Hallmark channel. I was in Grilling Season, The Curious Caterer, with Nikki Deloach, Andrew W. Walker and Jaycie Dotin which is on StackTV via Amazon Prime. I played a Lawyer named Preston Pittman. I appeared briefly, in a season three episode of the Sci Fi series Upload, on Prime as Vern. There are two made for TV Movies in which I played principle roles this past Summer. I expect they will release in '24. I will update you here. Here’s to a fabulous 2024, thanks for your interest.

Geoff Edwards photo by Alex Harte

Tangible Handmade

I have been involved in the creation of entertainment media for many years. I love it. My hobby is woodworking. I have kept some items that were handmade by me over the years; I like to wander hardware departments and stores that sell wood. Media is all around us but you can’t touch it like you can handmade usable things. Recently, I came across a batch of live edge planed walnut lumber. So I made a small table top to replace one that I built years ago for my studio. It turned out alright! Even if I do say so myself. Then, I made a bridge for my monitors to get them a little higher at my stand-up desk. I didn't like looking down on my video editor time-lines and I was getting a stiff neck. One day I noticed the pile of live-edge walnut was selling off… Fast forward: A purchase was made, there was cutting and sanding, tung oil was applied and voila! And that stiff neck is fading.